He developed his fascination with the power of the body and voice in acting as a young actor studying at New York’s National Shakespeare Conservatory, which had a rigorous program that emphasized Movement, Voice and Text.
His respect for the actor’s process grew during his years as a member of New York’s Jean Cocteau Repertory Theatre, an award-winning classical acting company. While there, he performed in a demanding repertoire of classical and contemporary productions by authors as varied as Euripides, Shakespeare, Moliere, Ibsen, Chekov, Shaw, Brecht, Pirandello and Beckett, among many others.
During this time, Kennedy met Fay Simpson, founder of the Lucid Body Movement Technique, with whom he has collaborated for over 30 years. He also began applying the principles of the Lucid Body to his work as a professional actor and to his teaching and directing work as a faculty member at the Stella Adler Studio in New York.